The climax sounded too much like another successful film, Dil Hai Ki Manta Nahin ( The Heart Does Not Listen, 1991), in which the father encourages his daughter to run away from her own wedding and marry another man. Others thought there wasn’t enough intensity in the story – why does the boy follow the girl to India when he doesn’t even know if she loves him. In May 1994, cinematographer Manmohan Singh, art director Sharmishtha Roy, dialogue writer Javed Siddiqui and family friend Deven Varma gathered in the Chopras’ gadda room (cushion room) to hear what Aditya had in mind. But his energy doesn’t flag.But Aditya’s ardour failed to enthuse the Yash Raj Films unit. Sometimes, in the emotional scenes, his stammer worsens. The film runs in his head, frame by frame, and he describes what he sees, for more than three hours – the running time of the film.
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